This article focuses on the technical language used by Alexander Kluge in one of his most important narrative fragments. As a basic premise, the article highlights the common classification of “technical languages” and then moves on to the chosen text, including a brief, fundamental overview of its author, who, more than others, grasped that intrinsic link between art and science. The focus of the article is placed on the technical terminology in Faust als Nationalsozialist as a means of textual coherence and an instrument capable of evoking and deconstructing the Faustian motif.…
