This article intends to analyze the first poetic collection of Clemente Rebora, Frammenti lirici, published in 1913 and testifying to the inner torment of his youth and of his search for the Absolute. In the wake of the crisis concerning his relationship with the world and pivoting on the city-nature contrast, Rebora would increasingly cultivate a desire for an immersion in reality: following the example of nature, he opened up to the harmony of the cosmos and focused on the 1910s, to which the poem is dedicated.…
